Figuring It Out
Figuring It Out
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The primary focus of my work is to understand myself as a human being. Each piece typically begins with a vision, but it's only through engaging with the work that I begin to grasp its subconscious meaning. Certain motifs frequently emerge in my art—humanity, animals, and my Indigenous culture—all of which help me delve deeper into my own belief systems.
Through my practice, I’ve come to believe that the more you understand yourself, the more you can contribute to society. Thus, every painting or artwork I create becomes part of an ongoing dialogue about the eternal pursuit of progress and connection.
This, I believe, is the true function of art—to initiate a conversation that transcends the object itself and continues into future generations. As I explore my connection to humanity, I find more commonalities than differences and hope to contribute to a worldwide movement that truly transcends social constructs which keep us artificially divided.
My artwork is a reflection of my life as a Diné (Navajo) and Kanaka Maoli (Native Hawaiian) woman. It mirrors my communities—the places I grew up, the oceans I swam in, the playgrounds where we laughed, the land that nurtured us, and the places filled with collective memories. My ancestors were resourceful and innovative; I strive to embody these qualities. While honoring our history, I am also rooted in the present, navigating a fast-paced world with creativity and adaptability.
This blend of heritage and modernity shines through in my art, expressed with diverse materials, patterns, colors, and characters. My artwork captures the velocity of life, our need for agility, and the importance of a sense of humor. It is a celebration of the past and present, inviting others to explore and connect with their own journeys.
Chelsea Benally
I am inspired by everyday life experiences to express my portraits. I express their individual values and uniqueness by applying both photography and painting. Photographing a person is a very personal experience for the sitter, requiring that they are are vulnerable and exposed. Whilst photographing them, you begin to establish a relation and perception of and with that person(s). Within the elements of painting, I use color, texture, and brush techniques to communicate both realistic and abstractly a wide range of emotions.
Matthew Babe
I am Diné craftsman/artist from Farmington New Mexico, I grew up on the Diné reservation next Hogback New Mexico. My work is modern/ contemporary work with formalities towards my Diné artistic background. I create artwork with modern materials and decorate with Diné influence designs, to pay homage to my artistic culture. I never replicate designs, so every artwork I create is distinct. Using modern art techniques/ contemporary art style allows me to combine and explore more different artistic doors, while allowing me to add my personal Diné touch to any artwork and art medium.
