For Naranjo, the geometric motifs and iconography found on pottery and embroidery extend far beyond decoration. They function as visual expressions of place, carrying cultural knowledge tied to landscape, the natural world, and spiritual practice. As he explains, “Symbols and iconography depicted on pottery and embroidery are not only for ornate decorative purposes but carry great symbolic significance and serve as visual representations of the landscape, natural world, and, if used properly, for prayer.” Through this approach, Naranjo bridges historic Pueblo design traditions with contemporary abstraction, creating work that honors cultural continuity while expanding the visual possibilities of Indigenous painting.
